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第5節 あの音に耳を傾けなさい。 若く無垢な者たちの奏でる音です。 神の子らのなかで、最も年少で最も純真な者たちです。 【天使の合唱(1)】 高い所(天)におられる最も神聖な人に賛美を、 そして深いところ(陰府)にも賛美がありますように。 この上なく素晴らしい全ての彼の言葉に、 このうえなく確かな全ての彼の道に。 彼は古い種族を我々に与えました、 戦って勝つために、 苦痛の罰を受けることなく、 罪に汚れることなく。 彼は若い息子に生誕の 不思議を行わせました。 神霊と人間が彼の両親。 天と地が彼の住まい。 永遠なる神は彼の子を祝福し、 武装させ、遠くに送り出しました。 根本的な戦いの 優勝者となるため、 物質と精神の世界の 総督となるために、 国境における、敵に対する、 堅固な守り(とするために。) 【天使】 我々はいま、門を過ぎ、 裁きの家の中に入りました。 and whereas earth Temples and palaces are formed of parts Costly and rare, but all material, So in the world of spirits nought is found, To mould withal and form into a whole, But what is immaterial; and thus The smallest portions of this edifice, Cornice, or frieze, or balustrade, or stair, The very pavement is made up of life— Of holy, blessed, and immortal beings, Who hymn their Maker’s praise continually. SECOND CHOIR OF ANGELICALS PRAISE to the Holiest in the height, And in the depth be praise In all His words most wonderful; Most sure in all His ways! Woe to thee, man! for he was found A recreant in the fight; And lost his heritage of heaven, And fellowship with light. Above him now the angry sky, Around the tempest’s din; Who once had angels for his friends, Had but the brutes for kin, O man! a savage kindred they; To flee that monster brood He scaled the seaside cave, and clomb The giants of the wood. With now a fear, and now a hope, With aids which chance supplied, From youth to eld, from sire to son, He lived, and toiled, and died, He dreed his penance age by age; And step by step began Slowly to doff his savage garb, And be again a man. And quickened by the Almighty’s breath, And chastened by His rod, And taught by Angel-visitings, At length he sought his God And learned to call upon His name, And in His faith create A household and a fatherland, A city and a state. Glory to Him who from the mire, In patient length of days, Elaborated into life A people to His praise! 【魂】 あの音は勢い良く吹く風のようですが。 高い松の木々の間を吹き抜ける夏の風のようです Swelling and dying, echoing round about, Now here, now distant, wild and beautiful; While, scattered from the branches it has stirred, Descend ecstatic odours. 【天使の合唱(3)】 PRAISE to the Holiest in the height, And in the depth be praise In all His words most wonderful; Most sure in all His ways! The Angels, as beseemingly To spirit-kind was given, At once were tried and perfected, And took their seats in heaven. For them no twilight or eclipse; No growth and no decay ‘Twas hopeless, all-ingulfing night, Or beatific day. But to the younger race there rose A hope upon its fall; And slowly, surely, gracefully, The morning dawned on all. And ages, opening out, divide The precious and the base, And from the hard and sullen mass, Mature the heirs of grace. O man! albeit the quickening ray, Lit from his second birth, Makes him at length what once he was, And heaven grows out of earth; Yet still between that earth and heaven— His journey and his goal— A double agony awaits His body and his soul. A double debt he has to pay— The forfeit of his sins The chill of death is past, and now The penance-fire begins. いつも真実と正義で統治する彼に 栄光がありますように。 彼は魂をその容器から引き離し、 その汚れを焼き払います。 【天使】 彼らは、あなたが近づきつつある苦悩を歌っているのです、 あなたが熱心に質問をした(苦悩を)。 It is the face of the Incarnate God Shall smite thee with that keen and subtle pain; And yet the memory which it leaves will be A sovereign febrifuge to heal the wound; And yet withal it will the wound provoke, And aggravate and widen it the more. SOUL THOU speakest mysteries; still methinks I know To disengage the tangle of thy words Yet rather would I hear thy angel voice, Than for myself be thy interpreter. ANGEL WHEN then—if such thy lot—thou seest thy Judge, The sight of Him will kindle in thy heart, All tender, gracious, reverential thoughts. Thou wilt be sick with love, and yearn for Him, And feel as though thou couldst but pity Him, That one so sweet should e’er have placed Himself At disadvantage such, as to be used So vilely by a being so vile as thee. There is a pleading in His pensive eyes Will pierce thee to the quick, and trouble thee. And thou wilt hate and loathe thyself; for, though Now sinless, thou wilt feel that thou hast sinned, As never thou didst feel; and wilt desire To slink away, and hide thee from His sight; And yet wilt have a longing aye to dwell Within the beauty of His countenance. And these two pains, so counter and so keen,— The longing for Him, when thou seest Him not; The shame of self at thought of seeing Him,— Will be thy veriest, sharpest purgatory. 【魂】 私の魂は私の手中にあります。恐れはありません。 In His dear might prepared for weal or woe. しかし、耳を傾けなさい、堂々とした神秘的な和音を。 それは深く荘厳な水音のように 私を満たします。 ANGEL We have gained the stairs Which rise towards the Presence-chamber; there A band of mighty angels keep the way On dither side, and hymn the Incarnate God. ANGELS OF THE SACRED STAIR FATHER, whose goodness none can know, but they Who see Thee face to face, By man hath come the infinite display Of Thine all-loving grace; But fallen man—the creature of a day— Skills not that love to trace. It needs, to tell the triumph Thou hast wrought, An Angel’s deathless fire, an Angel’s reach of thought. It needs that very Angel, who with awe, Amid the garden shade, The great Creator in His sickness saw, Soothed by a creature’s aid, And agonised, as victim of the Law Which He Himself had made; For who can praise Him in His depth and height, But he who saw Him reel in that victorious fight? SOUL HARK! for the lintels of the presence-gate Are vibrating and echoing back the strain FOURTH CHOIR OF ANGELICALS PRAISE to the Holiest in the height, And in the depth be praise In all His words most wonderful; Most sure in all His ways! The foe blasphemed the Holy Lord As if He reckoned ill, In that He placed His puppet man The frontier place to fill. For even in his best estate, With amplest gifts endued, A sorry sentinel was he, A being of flesh and blood. As though a thing, who for his help Must needs possess a wife, Could cope with those proud rebel hosts, Who had angelic life. And when, by blandishment of Eve, That earth-born Adam fell, He shrieked in triumph, and he cried, “A sorry sentinel; “The Maker by His word is bound, Escape or cure is none; He must abandon to his doom, And slay His darling son.” ANGEL さあ、敷居です。我々がそれを横切ると、 堂々とした歓迎の聖歌が始まります。 【天使の合唱(5)】 高い所(天)におられる最も神聖な人に賛美を、 そして深いところ(陰府)にも賛美がありますように。 この上なく素晴らしい全ての彼の言葉に、 このうえなく確かな全ての彼の道に。 愛情に満ちた我々の神の英知! 全てが罪悪と恥辱の時に、 戦いと救出のために 第二のアダム(イエス)がやって来ました。 この上なく賢明な愛よ。 アダムにおいて失敗した血肉は、 再び敵と戦うでしょう、 戦って打ち勝つでしょう。 そして慈悲よりさらに高潔な贈り物が 血肉を純化するでしょう、 神の存在、神そのもの、 そして神聖なる本質が。 寛容な慈愛よ。人の内なる敵を 人のために打ち負かした者は、 人の内なる苦悩の倍の量を 人のために経験するでしょう。 そして庭園で内密に、 高い所の十字架で、 彼の同志に教えるでしょう、 苦痛を受けて死ぬことを。 FIFTH PHASE …Hark to those sounds! They come of tender beings angelical, Least and most childlike of the sons of God. FIRST CHOIR OF ANGELICALS PRAISE to the Holiest in the height, And in the depth be praise In all His words most wonderful; Most sure in all His ways! To us His elder race He gave To battle and to win, Without the chastisement of pain, Without the soil of sin. The younger son He willed to be A marvel in his birth Spirit and flesh his parents were; His home was heaven and earth. The Eternal blessed His child, and armed, And sent him hence afar, To serve as champion in the field Of elemental war. To be His Viceroy in the world Of matter, and of sense; Upon the frontier, towards the foe, A resolute defence. ANGEL WE now have passed the gate, and Are within the House of Judgment; and whereas earth Temples and palaces are formed of parts Costly and rare, but all material, So in the world of spirits nought is found, To mould withal and form into a whole, But what is immaterial; and thus The smallest portions of this edifice, Cornice, or frieze, or balustrade, or stair, The very pavement is made up of life— Of holy, blessed, and immortal beings, Who hymn their Maker’s praise continually. SECOND CHOIR OF ANGELICALS PRAISE to the Holiest in the height, And in the depth be praise In all His words most wonderful; Most sure in all His ways! Woe to thee, man! for he was found A recreant in the fight; And lost his heritage of heaven, And fellowship with light. Above him now the angry sky, Around the tempest’s din; Who once had angels for his friends, Had but the brutes for kin, O man! a savage kindred they; To flee that monster brood He scaled the seaside cave, and clomb The giants of the wood. With now a fear, and now a hope, With aids which chance supplied, From youth to eld, from sire to son, He lived, and toiled, and died, He dreed his penance age by age; And step by step began Slowly to doff his savage garb, And be again a man. And quickened by the Almighty’s breath, And chastened by His rod, And taught by Angel-visitings, At length he sought his God And learned to call upon His name, And in His faith create A household and a fatherland, A city and a state. Glory to Him who from the mire, In patient length of days, Elaborated into life A people to His praise! SOUL THE sound is like the rushing of the wind— The summer wind among the lofty pines; Swelling and dying, echoing round about, Now here, now distant, wild and beautiful; While, scattered from the branches it has stirred, Descend ecstatic odours. THIRD CHOIR OF ANGELICALS PRAISE to the Holiest in the height, And in the depth be praise In all His words most wonderful; Most sure in all His ways! The Angels, as beseemingly To spirit-kind was given, At once were tried and perfected, And took their seats in heaven. For them no twilight or eclipse; No growth and no decay ‘Twas hopeless, all-ingulfing night, Or beatific day. But to the younger race there rose A hope upon its fall; And slowly, surely, gracefully, The morning dawned on all. And ages, opening out, divide The precious and the base, And from the hard and sullen mass, Mature the heirs of grace. O man! albeit the quickening ray, Lit from his second birth, Makes him at length what once he was, And heaven grows out of earth; Yet still between that earth and heaven— His journey and his goal— A double agony awaits His body and his soul. A double debt he has to pay— The forfeit of his sins The chill of death is past, and now The penance-fire begins. Glory to Him, who evermore By truth and justice reigns; Who tears the soul from out its case, And burns away its stains! ANGEL THEY sing of thy approaching agony, Which thou so eagerly didst question of It is the face of the Incarnate God Shall smite thee with that keen and subtle pain; And yet the memory which it leaves will be A sovereign febrifuge to heal the wound; And yet withal it will the wound provoke, And aggravate and widen it the more. SOUL THOU speakest mysteries; still methinks I know To disengage the tangle of thy words Yet rather would I hear thy angel voice, Than for myself be thy interpreter. ANGEL WHEN then—if such thy lot—thou seest thy Judge, The sight of Him will kindle in thy heart, All tender, gracious, reverential thoughts. Thou wilt be sick with love, and yearn for Him, And feel as though thou couldst but pity Him, That one so sweet should e’er have placed Himself At disadvantage such, as to be used So vilely by a being so vile as thee. There is a pleading in His pensive eyes Will pierce thee to the quick, and trouble thee. And thou wilt hate and loathe thyself; for, though Now sinless, thou wilt feel that thou hast sinned, As never thou didst feel; and wilt desire To slink away, and hide thee from His sight; And yet wilt have a longing aye to dwell Within the beauty of His countenance. And these two pains, so counter and so keen,— The longing for Him, when thou seest Him not; The shame of self at thought of seeing Him,— Will be thy veriest, sharpest purgatory. SOUL MY soul is in my hand I have no fear,— In His dear might prepared for weal or woe. But hark! a grand mysterious harmony It floods me, like the deep and solemn sound Of many waters. ANGEL We have gained the stairs Which rise towards the Presence-chamber; there A band of mighty angels keep the way On dither side, and hymn the Incarnate God. ANGELS OF THE SACRED STAIR FATHER, whose goodness none can know, but they Who see Thee face to face, By man hath come the infinite display Of Thine all-loving grace; But fallen man—the creature of a day— Skills not that love to trace. It needs, to tell the triumph Thou hast wrought, An Angel’s deathless fire, an Angel’s reach of thought. It needs that very Angel, who with awe, Amid the garden shade, The great Creator in His sickness saw, Soothed by a creature’s aid, And agonised, as victim of the Law Which He Himself had made; For who can praise Him in His depth and height, But he who saw Him reel in that victorious fight? SOUL HARK! for the lintels of the presence-gate Are vibrating and echoing back the strain FOURTH CHOIR OF ANGELICALS PRAISE to the Holiest in the height, And in the depth be praise In all His words most wonderful; Most sure in all His ways! The foe blasphemed the Holy Lord As if He reckoned ill, In that He placed His puppet man The frontier place to fill. For even in his best estate, With amplest gifts endued, A sorry sentinel was he, A being of flesh and blood. As though a thing, who for his help Must needs possess a wife, Could cope with those proud rebel hosts, Who had angelic life. And when, by blandishment of Eve, That earth-born Adam fell, He shrieked in triumph, and he cried, “A sorry sentinel; “The Maker by His word is bound, Escape or cure is none; He must abandon to his doom, And slay His darling son.” ANGEL AND now the threshold, as we traverse it, Utters aloud its glad responsive chant. FIFTH CHOIR or ANGELICALS PRAISE to the Holiest in the height, I And in the depth be praise In all His words most wonderful; Most sure in all His ways! O loving wisdom of our God! When all was sin and shame, A second Adam to the fight And to the rescue came. O wisest love that flesh and blood Which did in Adam fail, Should strive afresh against the foe, Should strive and should prevail; And that a higher gift than grace Should flesh and blood refine, God’s Presence and His very Self; And Essence all divine. O generous love! that He who smote In man for man the foe, The double agony in man For man should undergo; And in the garden secretly, And on the cross on high, Should teach His brethren and inspire To suffer and to die. Elgar,Edward/The Dream of Gerontius/VI
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詳説・特徴 ジェムレベルによる変化 入手方法 関連リンク Awakened Cast While Channelling Support Support,Channelling,Spell,Triggerアイコン Wマナ倍率 140.0% Must support both a channelling skill and a non-channelling spell skill to work. The channelling skill will trigger a spell periodically while channelling. Cannot support skills used by totems, traps, or mines. Vaal skills and skills that reserve mana cannot be triggered. クオリティ1%あたりSupported Channelling Skills deal 0.5% increased Damage日本語訳求む Trigger a Supported Spell every (0.34-0.3) seconds while Channelling Supported Skills日本語訳求む 詳説・特徴 ジェムレベルによる変化 +... レベル cast_while_channelling_time_ms 1 72 50 72 340 2 74 51 74 330 3 76 52 75 320 4 78 54 77 310 5 80 55 79 300 6 82 56 81 300 7 84 56 81 290 8 86 56 81 290 9 88 56 81 280 10 90 56 81 280 11 91 56 81 270 12 92 56 81 270 13 93 56 81 270 14 94 56 81 270 15 95 56 81 260 16 96 56 81 260 17 97 56 81 260 18 98 56 81 260 19 99 56 81 250 20 100 56 81 250
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Living Legend 各ヒーローは競技イベントの場で一定の成績を納めるとLiving Legendポイントを獲得する。 これのポイントが一定値を超えたヒーローと得意武器は、禁止改定のタイミングでLiving Legendとなり、使用不可となる。 Classic Constructed 1000ポイント Blitz 500ポイント 現在のLiving Legendポイントは公式サイトから確認が可能 Uprising環境Living Legendヒーロー Classic Constructed Bravo, Star of the Show / Chane, Bound by Shadow / Galaxxi Black Prism, Sculptor of Arc Light / Luminaris Blitz Viserai / Nebula Blade 禁止カード Classic Constructed Awakening Ball Lightning Drone of Brutality Duskblade Plunder Run Stubby Hammerers 一時停止 Bloodsheath Skeleta (Viserai,Rune BloodがLiving Legendになるまで停止) Blitz Awakening Ball Lightning Drone of Brutality Duskblade Heartened Cross Strap Snapback Stir the Aetherwind Stubby Hammerers 一時停止 Crown of Seeds (OldhimがLiving Legendになるまで) Seeds of Agony (ChaneがLiving Legendになるまで) Sonata Arcanix (次の禁止および停止の発表まで) Commoner Ball Lightning Belittle
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曲名 アーティスト フォルダ 難易度 BPM NOTES/FREEZE(SHOCK) A Geisha s Dream NAOKI feat.SMiLE.dk X 踊9 140 254/30 STREAM VOLTAGE AIR FREEZE CHAOS 46 34 36 57 9 踊譜面(9) / 激譜面(11) 譜面 http //eba502.web.fc2.com/fumen/ddr/x/geisha_d_4t.html 動画 https //www.youtube.com/watch?v=Yu1Wu4XB0_A (1P x2.0, NOTE, Clap) 解説 付点8分、フリーズアロー、ビジステップ、同時踏みと多くの要素がある。 譜面の密度はあまり高くなく、このレベルでは易しい部類。 名前 コメント コメント(感想など) 名前
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Dream Sound Factoryをお気に入りに追加 Dream Sound Factoryのリンク #bf Amazon.co.jp ウィジェット Dream Sound Factoryの報道 OTOTOY ハイレゾランキング[2021.12.1 - 7]YOASOBIのEPが全作ランクイン! - Stereo Sound ONLINE 【ライブレポート】wod、切磋琢磨し合えるバンドとの対バン・ツアーをTSUTAYA O-EASTで完遂(ぴあ) - Yahoo!ニュース - Yahoo!ニュース カービィとめぐる工場見学ツアー!「カービィのドリームファクトリー」名古屋にて開催決定 - GAME Watch Dream Sound Factoryとは Dream Sound Factoryの41%は白い何かで出来ています。Dream Sound Factoryの39%は汗と涙(化合物)で出来ています。Dream Sound Factoryの10%は月の光で出来ています。Dream Sound Factoryの7%は元気玉で出来ています。Dream Sound Factoryの2%はやらしさで出来ています。Dream Sound Factoryの1%は時間で出来ています。 Dream Sound Factory@ウィキペディア Dream Sound Factory Amazon.co.jp ウィジェット 掲示板 名前(HN) カキコミ すべてのコメントを見る ページ先頭へ Dream Sound Factory このページについて このページはDream Sound Factoryのインターネット上の情報を集めたリンク集のようなものです。ブックマークしておけば、日々更新されるDream Sound Factoryに関連する最新情報にアクセスすることができます。 情報収集はプログラムで行っているため、名前が同じであるが異なるカテゴリーの情報が掲載される場合があります。ご了承ください。 リンク先の内容を保証するものではありません。ご自身の責任でクリックしてください。
https://w.atwiki.jp/hoi4-todohuken/
このwikiは第二次世界大戦を題材にした戦略シミュレーションゲーム『Hearts of Iron 4』(通称hoi4)の都道府県modである「Awakening of the Prefectures ambitions」を取り扱うWikiです。 旧名「Ambition of Prefectures」 最新DLC「仮」対応版はこちらからDL→https //steamcommunity.com/sharedfiles/filedetails/?id=2540030961 注意 このMODにはグンマー帝国を筆頭とした人を選ぶネタ、故人、存命の人物、人じゃない元首等が含まれています。耐性がない人は帰って好きなものを見て心を落ち着かせましょう。 一応、前提として大型DLC(TfV,DoD,WtT,MtG,NSB,BBA…等々)が全て必要です。 AOPの開発ディスコ https //twitter.com/akimoko314314/status/1412431389400584192 現在(2023/3/10)岩手、福島、鹿児島、沖縄以外の基本国家には固有NF・イベントが実装されています。 どんどん加筆しちゃってください!求む有志編集者! 個々の県の内容を書いてくれるととても助かります! 次回アプデの予定: 製作者のTwitter曰く(願望) 鹿児島沖縄NF 北海道NFリワーク 東北リワーク+岩手福島NF 関東リワーク らしい 出展 https //twitter.com/akimoko314314/status/1397232001506230273 とはいえ↓ 時間に縛られてるのは本来の人間の姿ではない(引用 配布ページ) 好きなことをして待ちましょう 【DLはこちらから】 https //steamcommunity.com/sharedfiles/filedetails/?id=855397602 + AOP利用にあたっての諸注意 Ambition of prefectures利用にあたっての諸注意 ①基本事項 1-1.この文章はparadox社販売開発の「Hearts of Iron 4」のファンMODである「Ambition of prefectures」(以外AOP)とその開発者(以下AOP開発)とその利用者全員に適応されます。 1-2.文章に違反する行為を行ったユーザーにはAOPの利用してを遠慮してしただきます。 2.この文章の内容は告知なしに変更する可能性があります。 3-1.AOPのゲームに基づく要素の権利はparadox社のみに帰属します。 3-2.AOPで使用される画像、データの全ての権利はその製作者に帰属します。 4.AOPの利用はAOP開発の過失を除きユーザーの責任となります。 5.AOP開発はAOPの利用による金銭的損害の保証は行いません。MODの営利利用についてはparadox社のMODポリシーを参照してください。 6-1.AOP内の全ての表現はいかなる人物、団体の名誉を傷つける意図のものではありません。 6-2.AOP内の意図しない冒涜的な表現が存在した場合、当事者によるAOP開発への要求に限り速やかな表現の変更を行います。 ②禁止事項 AOPの利用において以下の行為を禁じます。 法令または公序良俗に違反する行為 犯罪を助長する行為 許可なくAOPとその内部データの二次配布 宗教活動を目的とした利用 AOP開発に対する誹謗中傷を目的とした行為 下記の「アドオンや派生創作について」の内容に反する行為 その他AOP開発が不適切と判断した行為 ③アドオンや派生創作について 1.AOPを元とした非ゲーム的な創作はこの文章の「禁止事項」の範囲内で許可します。 2-1.アドオンをAOPと基本的データを共有する又はAOPのデータを拡張する、AOPと同時導入時のみ正常に動作する「Hearts of Iron 4」のMODと定義する。 2-2.データの変更によって容易にアドオンの定義から外れるMODは事前にMOD開発に連絡してください。 2-3.アドオンは用意な改造によってその定義に反しない限り無許可で配布可能です。 3-1.AOP内のスクリプトの一部分を他のMODへの流用は無許可で可能です。 3-2.AOP内の画像など複数のデータの他のMODへの流用(改変含)はAOP開発の許可のあった時のみ可能です。 3-3.AOP内のマップデータなどの一分の画像は3-2の事項に加えその権利者様の許可があったときのみ可能です。 4.AOPを利用した創作、アドオンそしてAOPのデータを使用したMODの製作はAOP開発の判断に応じて上記の事項に関わらずどのような場合においても禁止とする可能があります。 [マップフォント追加のために必要なmod(任意)]フォント追加 http //steamcommunity.com/workshop/filedetails/?id=875357415 都道府県名漢字化 http //steamcommunity.com/sharedfiles/filedetails/?id=926537094 マップ縦化アドオン※更新停止中 https //steamcommunity.com/sharedfiles/filedetails/?id=2003238234 【マルチ向けアドオンの道州戦modはこちら】※更新停止中https //steamcommunity.com/sharedfiles/filedetails/?id=1366811437 【average34氏のNFおよび国民精神をすべて削除し、汎用NFに変更等の変更を加えたマルチ向けor塗り絵向けMOD】※更新停止中https //steamcommunity.com/sharedfiles/filedetails/?id=1844617210 【VagratPによる追加mod】【西日本将官追加】(本家へマージの為、公開終了) 【西日本追加(現行非対応)】https //steamcommunity.com/sharedfiles/filedetails/?id=1578307184 【aki3ma氏の地形改善mod】※更新停止中https //steamcommunity.com/sharedfiles/filedetails/?id=1799382403 【ヴィリー氏の元首や軍人をポーランドボール化するmod】※更新停止中https //steamcommunity.com/sharedfiles/filedetails/?id=1789112690 【torachiyo_0407氏の戦国時代mod】https //steamcommunity.com/sharedfiles/filedetails/?id=2504397007 ※当wikiは非公式の攻略wikiです。情報の妥当性や正確性について保証するものではなく、一切の責任を負いかねます。 ※当wikiを利用することによって生じるいかなる損害も当サイトでは補償致しません。 ※ご利用につきましては自己責任となりますのでご注意ください。 ※また、当wikiおよびwiki管理人は本modの一部の県のNFの原案を担当している者が管理しています。よって、wiki管理人にプログラム関連のエラーなどについて問い合わせないようお願いします。 ※文章の著作権は当wikiにあります。内容の複写、転載を禁じます。 ※当wikiで使用している画像、情報等の権利は、paradox社に帰属します。
https://w.atwiki.jp/pathofexile12/pages/157.html
詳説・特徴 ジェムレベルによる変化 入手方法 関連リンク Awakened Multistrike Support Attack,Melee,Supportアイコン 3マナ倍率 160.0% Supports melee attack skills, making them repeat three times when used, targeting a random enemy each time. Cannot support Vaal skills, totem skills, channelling skills, or triggered skills. クオリティ1%あたりSupported Skills deal 0.5% increased Melee Physical Damageサポートされたスキルが与えるMelee Physicalダメージが0.5%増加Supported Skills have 0.5% increased Attack Speedサポートされたスキルの攻撃速度が0.5%増加 Supported Skills Repeat 3 additional times日本語訳求む Supported Skills have (45-47)% more Melee Attack Speed日本語訳求む First Repeat of Supported Skills deals 20% more Damage日本語訳求む Second Repeat of Supported Skills deals 40% more Damage日本語訳求む Third Repeat of Supported Skills deals 60% more Damage日本語訳求む Supported Skills deal 10% less Attack Damageサポートされたスキルは10%less Attackダメージを与える。 詳説・特徴 ジェムレベルによる変化 +... レベル support_multiple_attacks_melee_attack_speed_+%_final 1 72 72 50 45% 2 74 74 51 45% 3 76 75 52 46% 4 78 77 54 46% 5 80 79 55 47% 6 82 81 56 47% 7 84 81 56 48% 8 86 81 56 48% 9 88 81 56 49% 10 90 81 56 49% 11 91 81 56 50% 12 92 81 56 50% 13 93 81 56 50% 14 94 81 56 50% 15 95 81 56 51% 16 96 81 56 51% 17 97 81 56 51% 18 98 81 56 51% 19 99 81 56 52% 20 100 81 56 52%
https://w.atwiki.jp/hmiku/pages/21454.html
【登録タグ M VOCALOID かごめP 曲 曲英 杉の人 鏡音リン】 作詞:かごめP 作曲:かごめP 編曲:かごめP イラスト:あーす フォトグラフ:takasuii 唄:鏡音リン(調声:杉の人) 曲紹介 「一番になりたい」って思うときもあるのよね。 かごめPの26作目。 かごめPと歌い手はにちゃむ★氏のユニット「Hany+Kago」のアルバム『TwilightZone 246』に、はにちゃむ★氏版と共に収録されている。 歌詞 Somebody Anybody 噛み合わない 「好きです」ってトコ見られたくない Money? or Dream? 縛りたくない 夢に見たって繋ぎたくない! [Come on Baby!] [Ladys Boys!] あのコは頭キレる才女 [Lady!] アイツは気立て“だけ”はいいBoys [Boy!] 意外と噛み合っちゃうのねぇ[ねぇ?] まだ夜は長いよ Tick-tick-tack! [Come on! Come on! ココはステキSound Box!] [Come on! Come on! 廻れダンスミュージック!] [Come on! Come on! ココはステキSound Box!] [Come on! Come on! 廻れダンスミュージック!] Ah! 少しイキすぎて 一番になりたくなって Ah! 君と一緒じゃなきゃ この夜は楽しく越えられない Ah! 君とスモークの中 一晩中踊りたくて Ah! 君と一緒じゃなきゃ 光浴びてもアゲらんないない、、、 あああああああああああああああああああああああ [Come on Baby!] [Ladys Boys!] そんなじゃなくて「やるよ」じゃなくて 優しいだけの男じゃダメなのよ 「俺の」じゃなくて「あたしの」じゃなくて すがりつくだけの生活にGood BYE!! [次のStage見つけたい][夢の中で踊りたい] [アレもしたい][コレもしたい][じゃ、ダーメ!] [派手なスモーク][浴びてたい][イキなCloud纏いたい] [光差して腕広げてFly!!] Ah! 君とスモークの中 一晩中踊りたくて Ah! 君と一緒じゃなきゃ 光浴びてもアゲらんないない、、、 あああああああああああああああああああああああ [Come on Baby!] [Ladys Boys!] コメント 名前 コメント
https://w.atwiki.jp/ddr_dp/pages/2698.html
DREAMING-ING!!(踊) 曲名 アーティスト フォルダ 難易度 BPM NOTES/FA(SA) その他 DREAMING-ING!! ときめきアイドル project A 踊10 180 308 / 4 STREAM VOLTAGE AIR FREEZE CHAOS 60 52 3 12 14 楽譜面(6) / 踊譜面(10) / 激譜面(12) / 鬼譜面(-) 属性 渡り、ひねり、序盤殺し 譜面 https //livedoor.blogimg.jp/yanmar195/imgs/d/9/d9d87f17.png 譜面動画 http //www.nicovideo.jp/watch/sm37793005 https //www.nicovideo.jp/watch/sm37793005 (x1.0, NOTE) プレイ動画 https //www.youtube.com/watch?v=o6fpfv2lbrw (x1.0, RAINBOW) 解説 2P→スタート。楽から引き続き捻り主体で8分3連が主、長めの8分は地団駄のみとなる。但し渡りながらや捻りながらの地団駄処理が多いので、捻り慣れてないと妥当に感じるかもしれない -- 名無しさん (2017-10-20 00 45 25) 名前 コメント コメント(私的なことや感想はこちら) 名前 コメント
https://w.atwiki.jp/pathofexile12/pages/148.html
詳説・特徴 ジェムレベルによる変化 入手方法 関連リンク Awakened Fire Penetration Support Fire,Supportアイコン Vマナ倍率 140.0% Supports any skill that hits enemies, making those hits penetrate enemy fire resistance. クオリティ1%あたりSupported Skills deal 1% increased Fire Damageサポートされたスキルが与えるFireダメージが1%増加 Supported Skills Penetrate (38-42)% Fire Resistance日本語訳求む 詳説・特徴 ジェムレベルによる変化 +... レベル base_reduce_enemy_fire_resistance_% 1 72 114 38% 2 74 117 39% 3 76 120 40% 4 78 123 41% 5 80 126 42% 6 82 129 43% 7 84 129 43% 8 86 129 44% 9 88 129 44% 10 90 129 45% 11 91 129 45% 12 92 129 46% 13 93 129 46% 14 94 129 47% 15 95 129 47% 16 96 129 48% 17 97 129 48% 18 98 129 49% 19 99 129 49% 20 100 129 50%